Publication:
Pigment analyses of a portrait and paint box of Turkish artist Feyhaman Duran (1886-1970): The EDXRF, FT-IR and micro raman spectroscopic studies

dc.contributor.authorEmre, Gülder
dc.contributor.authorGüleç, Ahmet
dc.contributor.authorBaşaran, Sait
dc.contributor.authorAKYÜZ, SEVİM
dc.contributor.authorAKYÜZ, ZEKİ TANIL
dc.contributor.authorIDTR10127tr_TR
dc.contributor.authorIDTR55465tr_TR
dc.contributor.authorIDTR38000tr_TR
dc.date.accessioned2016-11-15T13:17:26Z
dc.date.available2016-11-15T13:17:26Z
dc.date.issued2012-04
dc.description.abstractThe samples obtained from nine different places of Ataturk portrait (oil on canvas, 86 cm x 136 cm) by Feyhaman Duran (1886-1970), one of the famous Turkish painters of the 20th century, together with five pigment samples (two different white, two different yellow and blue), obtained as powders from artist's paint box, were analysed by EDXRF, FT-IR and micro-Raman spectroscopic methods, in order to characterise the pigments used by the artist. Informative Raman signals were not obtained from most of the samples of the portrait, due to huge fluorescence caused by the presence of impurities and organic materials in the samples, however the Raman spectrum of the sample from skin coloured part of the portrait and the pigment samples obtained from the paint box of the artist were found to be very informative to shed light on the determination of the pigments used. Analysis revealed the presences of chrome yellow (PbCrO4), strontium yellow (SrCrO4) and Cadmium yellow (CdS) as yellow, chromium oxides (Cr2O3 and Cr2O3 center dot 2H(2)O) as green, natural red ochre as red, brown ochre as brown and ivory black or bone black (C + Ca-3(PO4)2) and manganese oxides (Mn2O3 and MnO2) as black pigments, in the composition of the Ataturk portrait. Lead white (2PbCO(3)center dot Pb(OH)(2)), calcite (CaCO3), barite (BaSO4), zinc white (ZnO) and titanium white (TiO2) were used as extenders to lighten the colours and/or as for ground level painting. Powder pigment samples, obtained from the paint box of artist, were found to be mixed pigments rather than pure ones. (C) 2011 Elsevier B.V. All rights reserved.tr_TR
dc.identifier.issn1386-1425
dc.identifier.pubmed22245940
dc.identifier.scopus2-s2.0-84856905722
dc.identifier.urihttp://hdl.handle.net/11413/1599
dc.identifier.wos301471600011
dc.language.isoen
dc.publisherPergamon-Elsevier Science Ltd, The Boulevard, Langford Lane, Kidlington, Oxford Ox5 1Gb, England
dc.relationSpectrochimica Acta Part A-Molecular And Biomolecular Spectroscopytr_TR
dc.subjectArt Analysistr_TR
dc.subjectInfrared Spectroscopytr_TR
dc.subjectRaman Spectroscopytr_TR
dc.subjectEDXRFtr_TR
dc.subjectInorganic Pigmentstr_TR
dc.subjectArchaeological Samplestr_TR
dc.subjectSpectratr_TR
dc.subjectMineralstr_TR
dc.subjectPotterytr_TR
dc.subjectSanat Analizitr_TR
dc.subjectKızılötesi Spektroskopitr_TR
dc.subjectRaman Spektroskopisitr_TR
dc.subjectİnorganik Pigmentlertr_TR
dc.subjectArkeolojik Örneklertr_TR
dc.subjectSpektrumtr_TR
dc.subjectMinerallertr_TR
dc.subjectSeramiktr_TR
dc.titlePigment analyses of a portrait and paint box of Turkish artist Feyhaman Duran (1886-1970): The EDXRF, FT-IR and micro raman spectroscopic studiestr_TR
dc.typeArticle
dspace.entity.typePublication
local.indexed.atWOS
local.indexed.atPubMed
local.indexed.atScopus
relation.isAuthorOfPublication70600e97-ae14-4ca5-b357-0fd647a25331
relation.isAuthorOfPublication87c7f2a3-6d08-4bc7-9b4d-61ecac7151d3
relation.isAuthorOfPublication.latestForDiscovery70600e97-ae14-4ca5-b357-0fd647a25331

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