Publication:
Filmsel anlatıda hayvan söylenleri: Harry Potter'da Zümrüdüanka

dc.contributor.advisorSimten Gündeş
dc.contributor.authorSarıoğlu, Mehmet Süha
dc.date.accessioned2014-08-20T07:18:13Z
dc.date.available2014-08-20T07:18:13Z
dc.date.issued2009-08
dc.description.abstractHuman beings have shared the environment they live in with the other means of livings such as animals and plants. They have been in relationship with these various types of living beings either directly or indirectly willingly or unwillingly their life long. This humanly characteristics has never disappeared in this evolution process of the human being. Animals, in myths composed by humans have taken a more effective role than plants. Some animals have often taken place in these myths as commonly seen types and some animals have hold their own place obstinately in outstanding beliefs of the world without losing their fictional identities. In this work, as the legendary bird `Phoenix? has a centripetal importance, without taking a step into the semiotic analysis of the `Harry Potter and the Phoenix Companion?; the most important examples have been given about the animals seen mostly in theses dominant myths and the names, pronouns and semantically values of the Phoenix have been analyzed. The analysis of the Harry Potter and the Phoenix Companion which is named after the Phoenix that composes the movement axis of this work is based on the narrative film, properties and film narration codes. In this process of the narration, semiotic procedure of 3 well-known theorists such as Algidras Julien Greimas, Vladimir Propp and Charles Sanders Peirce?s is used. There are some results achieved while doing this study: While transferring the results after the analysis, the tertiary principle of Peirce is followed. Especially the analysis done according to the Propp approach, the film is put forth as a contemporary tale and while doing the narrative film, it is seen that, according to Propp?s 31 functions in the morphology of tales, almost all functions overlap. It is highlighted that Propp and Greimas? approach seem alike and that the semantic field of the legendary bird Phoenix and the concept `Death? and `Birth? reiterates in the process of `Life?. This, in a way, is the bird Phoenix itself which symbolizes the `Rebirth from its own ashes.en
dc.identifier.urihttp://hdl.handle.net/11413/535
dc.language.isotrtr_TR
dc.publisherİstanbul Kültür Üniversitesi / Sosyal Bilimler Enstitüsü / İletişim Tasarımı Anabilim Dalıtr_TR
dc.subjectİletişim Bilimleritr_TR
dc.subjectZümrüdüankatr_TR
dc.subjectHayvan Söylenleritr_TR
dc.subjectSihirtr_TR
dc.subjectBüyütr_TR
dc.subjectFilm Kimliğitr_TR
dc.subjectFilmsel Anlatıtr_TR
dc.subjectAnlatı Kodlarıtr_TR
dc.subjectFilmsel Olgutr_TR
dc.subjectGöstergebilim Yöntemleritr_TR
dc.subjectA. J. Greimastr_TR
dc.subjectC. S. Piercetr_TR
dc.subjectV. Propptr_TR
dc.subjectCommunication Sciencestr_TR
dc.subjectPhoenixtr_TR
dc.subjectAnimal Mythstr_TR
dc.subjectMagictr_TR
dc.subjectFilm IDtr_TR
dc.subjectNarrative Movietr_TR
dc.subjectNarrative Codestr_TR
dc.subjectSemiotic Methodstr_TR
dc.titleFilmsel anlatıda hayvan söylenleri: Harry Potter'da Zümrüdüankatr_TR
dc.titleAnimal myths in narrative movie phoenix in Harry Potter
dc.typemasterThesistr_TR
dspace.entity.typePublication

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