Bellek Çalışmaları Bağlamında Zaman ve Mekân Kullanımının Türk Korku Sinemasının Anlatısal Yapısı Üzerindeki Etkileri

Abstract

From the last quarter of the twentieth century, memory studies contributing to development after a significant change and transformation in the field of social sciences; In the cinematic approach, it was effective in the emergence of new concepts and has become a central position in academic and cultural studies as an alternative to the classical understanding of history. Different approaches and perspectives developed as a result of memory studies offer a human-centered perspective as opposed to a positivist or documentary modernist science approach, and are also used as a tool to analyze and comprehend many disciplines and arts. In this context, specially in the relationship of cinema with the past and documented history, memory studies concepts and conceptualizations, which can provide a competent and healthy analysis opportunity in every film that can be analyzed briefly with historical film criticism approach, can also be used for horror cinema, that provides satisfying information to the audience about the society from it comes. In this study, films belonging to the Turkish Horror Cinema, which appeared in the post-2000 years, were included in the sample, and the relationship between the films and social memory was revealed by analyzing the memory studies and elements of new concepts. In the study, content analysis was preferred because it is a systematic and impartial method and suitable for interdisciplinary texts and sociological film criticism was used.