Avrupa'da rejisörlük kavramının ortaya çıkışı- "Stanislavski ve Brecht" örnekleri üzerinden yönetmenlik metodolojisinin incelenmesi

Abstract

This study deals with European director?s theatre in 19th century in historical context, analyse original roots of theatre director traditionally and especially study on Konstantin Stanislavski and Bertolt Brecht?s perspectives on drama art and director?s methods. In survey, the concept of theatre directory and regisseur are getting in a historical context and also the functions of theatre directors in dramatic art can be analysed. As a case study Konstantin Stanislavski?s and Bertolt Brecht?s productions of ?Three Sisters? and ?Mother Courage and Her Children? have been taken into consideration in the light of original written documents which is called Regiebuch. In thesis, directory can be conceptualized from the perspectives of ten leading theatre director in 19th century in Europe. Also the principles of theatre directory have been dismissed. Thesis is constructed after reading academic report, exploring data survey and compilation of textual books. The basic aim of the thesis is discussion of theatre directory which is not popular argumantative topic in Turkey. The study has revealed that the modern theatre directory has been 150 years history. The modern theatre directory is not inevitable and constant, ıt stems from the sociological changes of the European society. Konstantin Stanislavski and Bertolt Brecht?s perspectives symbolize pattern for comtemporary directors and this study investigate their heritage.