"Kar Tanesi", "Kırık Kılıç", "Gök", "Adsız Kahraman", "Kral" ve Anlatı ve Alt-Anlatılar "Hero" Adlı Filmde Doğru, Giz, Yalan, Yanlış

Abstract

In this brief the film called ‘’Hero’’ is analyzed. This work consists of the configuration that provides the cinematografic narrative structure and especially; the effects of volume, colour , and light was observed with the semiotic method Content of the film. Above all, it was chosen to analyze the structure of the film by the reference method. The situation of the double dilemma built by the the functional characteristic of colour descriptions and the mystrey , trut, lies wrong oppositions and symbols is characterized as a secret connection between the sub-narrative programme. Furthermore, this connection is solved by the opposide sub-narratives;it’s abserved that a fiction based on a lia occurred, and it was solved . It was considered that at least wrong opposite sub-narrative was conneveyed rather than lies while the last sub-narrative reflect the truth.