Cilt 3 Sayı 3 / Volume 3 Issue 3
Permanent URI for this collectionhttps://hdl.handle.net/11413/1024
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Publication Türkiye’de Karikatürün Dijital Dönüşümü: Uykusuz Dergisi(The Turkish Online Journal of Design, Art and Communication, 2013-07) Uçan, BahadırYears of 2000’s can be defined as “digital age.” In this digital age, it is seen that digitalization creates new concepts and approaches and it even affects our daily lifes. Changes have seen on different areas of art both on style and contentment with digitalization. In this study,it is aimed to underline digitalization, to investigate its effects on the world of cartoons which are caricature, homour and the articles and to comment on what digitalization brings. As a popular caricature magazine in Turkey Uykusuz is selected to contrast the differences of published Uykusuz and the digitalized one that can be read on its official facebook fan page.Publication Türkiye’de Dijital Gazetecilik: Habertürk Ve Hürriyet Gazeteleri Örneği(The Turkish Online Journal of Design, Art and Communication, 2013-07) Aydoğan, DeryaNowadays digitalization starts to gain power and importance. Thus newspapers which means of communicaton are affected as negatively and positively inevitably. The newspaper was the most important mass communication from past to present but it had to limited facilities about the length of news, diversity of news or number of pictures. This problem was disappeared through the emergence of online newspapers. Online newspapers are more advantageous than traditional newspapers because of they includes like pictures, videos and articles. Online newspapers' another advantage is sharing in social media through they have to comments section, participation of reader and share button also. Their disadvantage is causing information pollution because of they includes lots of data. In this study the important first five news of Habertürk newspaper and Hürriyet newspaper which online and printed are discussed and compared with each others. Shannon-Weaver's Information Theory, Manuel Castells' Network Society theory and Marshall McLuhans' Global Village and The Medium is the Messeage theories are used in this study.Publication Sinema Ve Televizyonda Görsel Haz Ve Sinemasal Çözümlemeler(The Turkish Online Journal of Design, Art and Communication, 2013-07) Atasoy, Ayşe DuyguIn this paper, tragic pleasure is handled from the perspective of independent cinema compare to popular media perspective. In this context the works of directors who can be named as Antagonist directors such as Nuri Bilge Ceylan, Zeki Demirkubuz, Lars von Terier, Park Chan-Wook are the main subjects.Publication Narnia Günlükleri “Aslan, Cadı Ve Dolap” Sinema Filminin Mitik Arketipleri Ve Anlatısal Çözümleme Yöntemiyle İncelenmesi(The Turkish Online Journal of Design, Art and Communication, 2013-07) Ceylan, DenizMythology reflects the common and deep memories of nations by transforming the language and cultural codes accumulated since the beginning of mankind into an invaluable collection. Written by C.S. Lewis and half a century later, brought to the cinema screen with rich visual effects, The chronicles of Narnia: the lion, the witch and the wardrobe is the first of a series of fantastic novels that bring to day mythology. Since its birth, cinema has made use of literary narratives, and with the development of technology, the visual representation of fantastic productions has taken on a remarkable state. In this context, elements pertaining to Turkish language and culture in The chronicles of Narnia: the lion, the witch and the wardrobe will be examined and the film’s characters, time and space will be evaluated.