Publication:
Construction Of The Sacred In The Moving Image

dc.contributor.authorGil, Ines
dc.date.accessioned2016-04-21T13:12:59Z
dc.date.available2016-04-21T13:12:59Z
dc.date.issued2012-04
dc.description.abstractContemporary moving image (film and video) is looking for a new form of expressing the sacred, after decades of refusing all kinds of explicit “religious” content. The notion of Sacred changed with the social evolution and today its representation is directly related to the image of reality, that allows a sincere and immediate contact with the viewer. The body’s image can be a strong mediator between the expression of the sacred and reality, because it questions the position of man in the world and its relation to others. Bill Viola and The Dardenne Brothers – among others, are directors who work with a totally different cinematographic form but they have the same challenge: to reveal the potential sacred of life through light and image movement.tr_TR
dc.identifier.urihttp://hdl.handle.net/11413/1057
dc.language.isoen_UStr_TR
dc.publisherThe Turkish Online Journal of Design Art and Communicationtr_TR
dc.relationTOJDACtr_TR
dc.subjectFilmtr_TR
dc.subjectSacredtr_TR
dc.subjectRealismtr_TR
dc.subjectBodytr_TR
dc.subjectFilmtr_TR
dc.subjectKutsaltr_TR
dc.subjectRealizmtr_TR
dc.subjectBedentr_TR
dc.titleConstruction Of The Sacred In The Moving Imagetr_TR
dc.typeArticle
dspace.entity.typePublication

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