Sanat ve Tasarım Fakültesi / Faculty of Art and Design

Permanent URI for this communityhttps://hdl.handle.net/11413/14

Browse

Browsing Sanat ve Tasarım Fakültesi / Faculty of Art and Design by Subject "Ahlak"

Filter results by typing the first few letters
Now showing 1 - 3 of 3
  • No Thumbnail Available
    PublicationMetadata only
    Ethics in New Media: The Case Of Bobiler.org
    (Medimond S R L, Via Maserati 5, 40128 Bologna, 00000, Italy, 2012-03-07) Yengin, Deniz; Küçükerdoğan, Bülent; 27386; 113703
    Today's environment, where knowledge is considered to be the most essential capital, is regarded as information society. Having become a significant value for the economies which go through the period of structuring, information is the source of the level of development. Especially the diversity of the environments brings out information and information mines. And amid this abundance one doesn't really know what and/or how to use and faces and intensive information bombardment. Today's rapid change of technology entails the change of communication process along with it. Through digitilization, new medias become the invididuals' new social areas of activity. However, the digital transformation gives rise to several problems. Especially the ethical problems become an issue as far as the communication between the individuals is concerned. The examples used in this study are contextually analyzed. The results of this analysis are evaluated in relation to the concept of ethics.
  • No Thumbnail Available
    PublicationMetadata only
    Kant’a Karşı Kant İçin: Fichte’nin Hayalgücü Felsefesi
    (2018-10) Salman Sakızlı, Selda; 260940
    Alman idealizminin önemli filozofları arasında yer alan Johann Gottlieb Fichte, Immanuel Kant’ın çalışmalarından fazlasıyla etkilenmiş ve kendi felsefesini Kantçı bir felsefe olarak ilan etmiştir. Ancak Fichte, Kant’ın çalışmalarını oldukları gibi almamış ve onun eserlerine bir ilham kaynağı olarak yaklaşmıştır; çünkü Kant’ın transendental felsefesinde önemli sorunlar olduğunu öne sürmüş ve bu sorunlara, kendi felsefi yaklaşımı ile tutarlı felsefi bir sistem önererek çözüm getirmeyi hedeflemiştir. Fichte’nin Kant felsefesine karşı en önemli eleştirileri, kendinde-şey ve özgürlük problemleri olarak iki ana kavram altında özetlenebilir. Öncelikle, Fichte, Kant’ın kendinde-şey’e açık kapı bırakmasının Kant felsefesinin transendental idealizmin ortadan kaldırma iddiasında olduğu bir tür dogmatizm olarak yorumlanabilmesine imkan tanıdığını; ve ikinci olarak da Kant’ın pratik felsefesinin, her ne kadar özgürlüğe merkezi bir önem atfetmiş olsa da, gerçek anlamda özgürlük olarak adlandırılamayacağını ve bunun epistemolojik ve ahlaki özne arasındaki ayrımdan kaynaklandığını ileri sürer. Bu çalışmanın amacı, Fichte’nin, teorik ve pratik felsefenin hayalgücü yetisinin işlevleri ile birbirine bağlandığı bir felsefi sistemle, hayalgücü yetisine merkezi bir konum vererek bu sorunlara çözüm getirdiğini ileri sürmektir.
  • No Thumbnail Available
    PublicationMetadata only
    Toplumsal Değişimin Aynasındaki Çatlak: Elena
    (2018-12) Taş Öz, Perihan; 111982
    This study aims to analyze one of Russia’s most important young filmmaker, Andrey Petrovich Zvyagintsev’s film Elena in light of how social change effects the concepts of morality and conscience. Using sociological analysis as a methodology, this study will map out how the social changes taking place during the time period of the film are symbolically represented in characters and their stories. The characters in the film, as a mother and spouse, Elena particularly, question the concepts of conscience and morality in a striking manner through the mandatory relationships they have to uphold, in which the problems of social change are reflected. Moral philosophy has been discussed from Plato to Aristotle; from Spinoza to Kant. Amongst these discussion, the most gripping arguments have been put forth by Friedrich Nietzsche. Nietzsche underlines a morality of strength, freeing humans from a false consciousness about morality. Nietzsche’s ideas will be critically undertaken in relation to Elena in order to seek answers to how humans, expected to be a moral subject, negotiate conscience in a rapidly changing social structure. In his previous films Vozvrashchenie and Izgnanie, Zvyagintsev has successfully focused on human stories and their social contexts. In his latest, the filmmaker approaches the effects of globalization on individuals and their relationships, in a metaphoric and striking manner. His film does not only limit itself to the context of Russia, but pertains to the whole world. In this sense, it is suggested that the film holds a universal quality.