Sanat ve Tasarım Fakültesi / Faculty of Art and Design

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Open Access
A General Outlook of Conjugal Union And Marriege In Turkey In The Context Of Popular Culture New Media
(The Turkish Online Journal of Design Art and Communication, 2011-07) Yıldız, Öykü Ezgi; Denençli, Ceyda; Deneçli, Sevda; TR40329
In our time, in which social lifeturnes spiritual values into a market, local standards of judgement, human relations and conjugal union has been influenced by this change, also. In our time, conjugal union, which is still seen as a taboo in Turkish society, has become a market with the influence of popular culture. Conjugal union, which has the characteristics of a social institution in our ime, benefits from the opportunities of technology in direct proportion to globalization and new technological developments, while trying to preserve its traditional features at the same time. In this transformation process, various media organs, socialization agents on media tools such as marriage websites play a significant role. In this study, the process of how conjugal union, which is shaped by the direct influence of popular culture, goes through a change in the direction of global market mentality will be discussed and a research will be made on the basis of social media agents.
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Academic Achievement Meassurement Based On Personality
(Stef92 Technology Ltd, 1 Andrey Lyapchev Blvd, Sofia, 1797, Bulgaria, 2012) Hünerli, Selçuk; 4743
As it is well-known, students' academic achievement and students' personally types are very important regarding of the effectiveness of academic programs. This research aims at clarifying the relation between students' personality types and their academic performance. The research has been conducted on 252 students attending at School of Vocational Studies. According to the research findings, there are strong relationships between students' personality types and their academic achievement. Based on The Five Factor Model, Inventory is an evaluation tool which is improved according to the Turkish culture. Validity and reliability analysis (dimensional self consistency cofactors vary between 0,75 and 0,81; test repeat cofactors vary between 0,78 and 0,86) show that inventory consists strong psychometric features. The results obtained from inventory were evaluated by using raw points and not norm points.
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An Analysis of Aestheticizing the Ugly and the Pornographic in Contemporary Art: Jan Saudek’s Approach to Photography
(Babeş-Bolyai University, Cluj, Romania., 2015-05-28) Akova, Duygu Nazlı; 107425
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Approaches to othered identities and spaces in French cinema
(2018) Erensoy, Scommairin Fulya
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Appropriation in the Art of Photography in Postmodern Age
(University of Gdansk, Krakow, Poland, 2016-10-20) Akova, Duygu Nazlı; 107425
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Art and the city
(2020-04) PARSEHYAN, BESTE GÖKÇE
Today, when we look at the planning of the cities, we observe that in general, most of them are trying to take quick steps to be "smart". "Smart city" has not yet reached a single definition in the literature. Smart cities, consisting of smart economy, smart living, smart environment, smart people, smart mobility and smart governance components, are of course technology-oriented. Technology is a tool, and therefore the expectation that technology will make a city livable on its own is unrealistic. Big data, the Internet of Things (loT), and information technologies play an important role in making municipal activities efficient, but their impact on livability is low. Although artificial intelligence has been developed, smart cities still need operators, engineers, architects and designers. Art should be the focus of city planning. Thus, the branding, livability and sustainability of a city becomes easier. But, the art institutions are ignored when designing smart cities. Public art is an issue that needs to be focused on at this point. Museums and public art are seen as community assets and makes cities livable. In this paper, the relationship between smart cities and public art will be examined based on "Art in Public Space" report prepared by Istanbul Foundation for Culture and Arts. Paris, London, Vienna and Amsterdam are compared with Istanbul. As a result, this study aimed to bring cultural policy proposals for Istanbul.
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Biçim Olarak Deneme Film: Chat Perche (Marker:2004)
(2018-05) Göztepe, Mustafa Orhan; 135815
Chat Perche (Sırıtan Kedi), Chris Marker'ın kariyerindeki iki temel eğilimi ortaya koyar: aynı anda hem Paris sokaklarında politik hareketlerin izini sürer hem de bir kent gezgininin tesadüf, şans ve merakla oluşturduğu kişisel gezi rehberini bize sunar. Andre Bazin'in, Marker'ın 1958'de gerçekleştirdiği filmi Sibirya'dan Mektup üzerine yazdığı makalesinde, Marker'ın çalışmasını "film tarafından belgelenmiş bir deneme" olarak nitelemesi, kuşkusuz yönetmeni deneme filmin öncü ismi olarak ortaya çıkarmıştır. Adorno'nun mükemmel bir eleştiri biçimi olarak tanımladığı deneme, kuralsız tanımsız melez bir tür olarak, deneme film açısından aydınlatıcıdır. Yönetmenin kendini saklama konusundaki ısrarı sebebiyle, otobiyografiye daha yakın olan 'film günce' türünden ayrışan film, "soyut düşüncelerle somut gerçekleri karıştırarak politik olarak yüklü imgeler yelpazesi sunar" (Arthur). Bu çalışma, bir deneme film olarak, karmaşık yapısıyla seyirciyi aynı anda hem takip edilmesi güç bir seyirliğin içine sokan hem de politik olarak yüklü imgeler yelpazesiyle anlam üretimini seyirciye devrederek ideolojik olarak onu şartlamayı reddeden Chat Perche'yi ele almaktadır.
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Colour as Cultural Indicators During Ottoman Period
(Proceedings of the Interium Meeting of The International Colour Association AIC, 2006-12-24) Küçükerdoğan, Rengin; Küçükerdoğan, Bülent; Zeybek, Işıl; 8718; 141147
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Colour Semantics in the Sufism of Rumi
(2019-09) Yıldıran, Ayşe; 112109
This paper aims to propose a semantic analysis of colour used in Mawlana Jalal-al-Din Rumi’s Sufi poetry which was created following the lost of his mystical love, Sams-al-Din Tabrizi. Due to Sams’s guidance, the Sufism of Rumi (1207-1273), had shifted towards ‘Sama’. This form of worship including music and whirling dance, caused the mystical mentor Sams to leave Konya, and to disappear for ever. After his abandonment, Rumi devoted himself to producing works. His poetry was world wide known both in his native tongue Persian, and in many other languages including Turkish after six hundred years. Even one work by Rumi, that is Divan-i Kebir, is composed of more than 43.000 distichs thanks to his creative genius by synthesising Islam, Sufism, Iranian Literature and Culture. This paper investigates his works as a historical corpus with a synchronic approach by refering to Turkish, English and French translations when needed. Does the Turkish translation, correspond to the Basic Colour Terms (BCT) of Old Anatolian Turkish? How many of Arabic and Persian references which were blended together are reflected to Old Anatolian Turkish and then to modern Turkish? How many of BCT is Turkish? The urban vernacular features can be identified in the compiled colour data. BCT of universal and evolutionary paradigm apart from Turkish, is as follows: ak Pers) I Besides, there is the relation among yeşil and gök, rendered in English as turquoise (firuze
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Digital Game As A New Media And Use Of Digital Game In Education
(Iated-Int Assoc Technology Education A& Development, Lauri Volpi 6, Valenica, Burjassot 46100, Spain, 2011) Yengin, Deniz
Transfer of information is trying to stay alive with the language but it is also supported and developed by the discovery of calligraphy. The development of technology in writing, keep records of information systematically. The discovery of electricity was opened in front of the electromagnetic discoveries and sharing of knowledge gained momentum over the channels. According to Huizinga game "game is an activity which is done voluntarily and in regular activities in a particular time and in space". This shows us the concept of the game is not "an unnecessary activity", it has turned into a sense of social and individual vital activity. Reproduced by the codes are real, users in different ways transmitted. Digital game is one of the ways of transmission. Digital media tools such as the game is played the video game and computer game. These environments are considered under the heading of Digital Games. Digital games provide an interactive environment with individuals as they allow electiveness, mobility and non-linearity. In an era of economic angst and where real and virtual identities are being disputed, individuals of the information society are searching for something different other than mass communication. They seek after individual experiences. Digital game environments allow users to gather ideas by allowing them to gain virtual experiences as opposed to real life events. Due to their rich visual content, digital games have the characteristic to shorten the learning period of individuals. Digital games offer users fantasy worlds where they can become lose themselves in different identities. This way through modeling, users are able to 'free' themselves. The main focus in this study will be to analyze the use of digital game in education. Alongside surveys, the study will also make use of literary sources. The universe of the study will be the Turkish students. The data collection method is conducting survey. The answers to the questions in the survey have been transferred to a SPSS environment, where descriptive and inferential analyses will lead us to understand the use of digital game in Turkey's education sector. The relationship between digital games and their users will also be examined. The quantitative study of education with digital games will be a useful source for future studies and will bridge the gap in this area.
Open Access
Digital Games As A New Media And Use Of Digital Game İn Education
(The Turkish Online Journal Of Design Art And Communication, 2011-07) Yengin, Deniz
Transfer of information is trying to stay alive with the language but it is also supported and developed by the discovery of calligraphy. The development of technology in writing, keep records of information systematically. The discovery of electricity was opened in front of the electromagnetic discoveries and sharing of knowledge gained momentum over the channels. According to Huizinga game "game is an activity which is done voluntarily and in regular activities in a particular time and in space". This shows us the concept of the game is not "an unnecessary activity", it has turned into a sense of social and individual vital activity. Reproduced by the codes are real, users in different ways transmitted. Digital game is one of the ways of transmission. Digital media tools such as the game is played the video game and computer game. These environments are considered under the heading of Digital Games. Digital games provide an interactive environment with individuals as they allow electiveness, mobility and non-linearity. In an era of economic angst and where real and virtual identities are being disputed, individuals of the information society are searching for something different other than mass communication. They seek after individual experiences. Digital game environments allow users to gather ideas by allowing them to gain virtual experiences as opposed to real life events. Due to their rich visual content, digital games have the characteristic to shorten the learning period of individuals. Digital games offer users fantasy worlds where they can become lose themselves in different identities. This way through modeling, users are able to ‘free’ themselves. The main focus in this study will be to analyze the use of digital game in education. Alongside surveys, the study will also make use of literary sources. The universe of the study will be the Turkish students. The data collection method is conducting survey. The answers to the questions in the survey have been transferred to a SPSS environment, where descriptive and inferential analyses will lead us to understand the use of digital game in Turkey’s education sector. The relationship between digital games and their users will also be examined. The quantitative study of education with digital games will be a useful source for future studies and will bridge the gap in this area.
Open Access
Digital Media Strategies of Luxury Brands
(2012-03) Zeybek, Işıl; Ekin, Volkan; TR141147
Institutions that provide products and services and that show activity in all areas, not only are agents of change but also lead the race in novelties under the wind of change in a rapidly digitalizing world. In this sense, digital spaces are “new channels” where access to products and services is faster, thus facilitating the lives of individuals. These digital spaces are used especially by brand owners, where, though their specific strategies of digital marketing, they are able to reach consumers. This study will concentrate on brands that connote meanings of “luxury” and see what kind strategies they use in digital spaces. These strategies no doubt differ from other brands, which use more “daily” and “common” methods of marketing. Marketers need to orient consumers in a particular manner in order to them to purchase luxury items online. In this context, this study will look at the relationship between luxury brands and their target audience in the internet based new economic platform, and how products associated with “luxury” are focused on “value” on the internet. An example will be taken and will be analyzed with a semiological method of analysis, where the influence of the strategies of luxury brands on the attitude of consumers will be evaluated.
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Documentary Film Elements in Instagram Stories: A study on Phenomena
(2018) Çakar Bikiç, Nagihan; Türten, Burak; 229483; 215474
Yeni iletişim teknolojilerinin gelişmesi birlikte sosyal ağlar, bireylerin günlük yaşamlarının bir parçası haline gelmiştir. Bu değişimle birlikte Facebook, Twitter, Instagram, Youtube gibi sosyal medya platformları, gündelik yaşama ilişkin görsel - işitsel içerikler paylaşılmasına olanak sunmaktadır. Bu olanaklar çerçevesinde sosyal medya kullanıcılarının, yaşamlarına ilişkin, kendilerinin de anlatıcı olarak yer aldığı 14 saniyelik videoları paylaşması olağan hale gelmiştir. Sosyal medya araçlarından olan Instagram’da 24 saat içerisinde yaşanan tüm anların hikayeleştirilerek paylaşılması da öne çıkan paylaşım türlerinden olmuştur. İçerik paylaşım ortamlarının değişmesi ile birlikte üretilen içeriklerde de değişimler yaşanmıştır. Belgesel filmlerin de değişime uğrayan içerikler arasında olduğu ön görülmektedir. Değiştiği ön görülen belgesel form, selfie / özçekim belgesel kavramı ile açıklanmaktadır. Araştırmada “Instagram hikâyeleri belgesel film unsurları taşımakta mıdır?” sorusu irdelenmektedir. Bu bağlamda “Instagram hikâyeleri yaşamın olağan gerçekliğinde, belgesel film unsurları taşımaktadır.” araştırmanın varsayımını oluşturmaktadır. Araştırmanın evreni ise Instagram’da kullanıcı hesabına sahip anneler olarak belirlenmiştir. Bu doğrultuda 200 bin’in üzerinde takipçiye sahip olan hesaplar arasından kolayda örnekleme yöntemi ile 6 anne hesabı belirlenmiş ve araştırmanın örneklemi olarak tespit edilmiştir. Örneklem olarak belirlenen hesaplarda paylaşılan hikâyeler, 7 gün süre ile takip edilerek içerik analizi yöntemi ile incelenmiştir. Hikâyelerde yer alan unsurlar, Bill Nichols’ın belgesel filmi tanımlarken ortaya koyduğu “Belgeseller gerçek şeyleri, gerçek kişileri ve gerçek dünyada olup biten öyküleri barındırmaktadır.” ifadesi ve ilk belgesel film olarak tanımlanan Kuzeyli Nanook filminin özellikleri göz önünde bulundurularak kodlanmıştır. Temalar altında oluşan kodlara ilişkin veriler çözümlenmiş ve Instagram hikâyelerinde belgesel film unsurları yer aldığı tespit edilmiştir. Bu bağlamda sonuç olarak “Selfie / özçekim belgesel” kavramının, belgesel unsurlar taşıyan Instagram hikâyeleri açısından kullanılabileceği önerilmektedir.
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Does Doctors' Perception Of Hospital Leadership Style And Organizational Culture Influence Their Organizational Commitment?
(Soc Personality Res Inc, P O Box 1539, Palmerston North 5330, New Zealand, 2014) Güney, Salih; Katrinli, Alev; PARSEHYAN, BESTE GÖKÇE; 26387; 7380; 3920
Our aim in this study was to determine the effect of organizational culture on the relationship between perception of leadership style and commitment to the organization by identifying firstly how Turkish doctors perceived the leadership behavior at private hospitals and then assessing the level of their organizational commitment. We developed and then tested a research model that incorporated leadership style, organizational commitment, and organizational culture. We distributed a survey to doctors working at four private hospitals in Turkey (N = 98). We found that doctors' perceptions of leadership behavior had a statistically significant, positive effect on their level of organizational commitment. We also found that organizational culture did not act as a moderator in this relationship.
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Ethics in New Media: The Case Of Bobiler.org
(Medimond S R L, Via Maserati 5, 40128 Bologna, 00000, Italy, 2012-03-07) Yengin, Deniz; Küçükerdoğan, Bülent; 27386; 113703
Today's environment, where knowledge is considered to be the most essential capital, is regarded as information society. Having become a significant value for the economies which go through the period of structuring, information is the source of the level of development. Especially the diversity of the environments brings out information and information mines. And amid this abundance one doesn't really know what and/or how to use and faces and intensive information bombardment. Today's rapid change of technology entails the change of communication process along with it. Through digitilization, new medias become the invididuals' new social areas of activity. However, the digital transformation gives rise to several problems. Especially the ethical problems become an issue as far as the communication between the individuals is concerned. The examples used in this study are contextually analyzed. The results of this analysis are evaluated in relation to the concept of ethics.
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Festivals of Colours: Ottoman miniature
(Midterm Meeting of the International Color Association, Zhejiang University, 2007-07-12) Zeybek, Işıl; Küçükerdoğan, Rengin; Küçükerdoğan, Bülent; 141147; 8718
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From the first to the third Critique: Non-conceptual content and the fate of the imagination
(2020-04) Sakızlı, Selda Salman
The faculty of imagination and its role in the Critique of the Power of Judgement are at the hearth of a very important controversy: Is aesthetic judgement conceptual? This is not a simple question to deal with since it is directly related with the cognitive claims in the Critique of Pure Reason. Different approaches, from analytic to continental traditions, from psychological readings of Kant to the advocates of philosophy of mind hold different views on this subject. This variety is a result of the status and the role of the imagination, and the kinds of syntheses it realizes which differs in the first and the second editions of the Critique of Pure Reason. In the first edition, imagination is considered as one of the three fundamental faculties among sensibility and apperception, and it is the agent of the syntheses. However, in the second edition, imagination becomes a sub-faculty of the understanding and the syntheses are realized by the understanding. I claim that the A edition of the CPR is more accurate with the entire critical project. Although philosophers like Wilfrid Sellars,1 John McDowell2 and Hannah Ginsborg3 defend that non-conceptual content is not possible, I disagree with this view and see it as a result of taking the B edition, additionally, the debate concerning the third Critique is a repercussion of this. Moreover, these disputes are also related with holding the first and the third Critiques as having completely distinct contents which opens up another “battle field”. I claim that the first and the third Critiques are connected through the faculties, and Kant was very well aware of the fact that he utilizes the same faculties as he used to explain human cognition in the CPR. 1 See Wilfrid Sellars, “The role of imagination in Kant’s theory of experience”. University of Pittsburgh, Archives of Scientific Philosophy, Wilfrid S. Sellars Papers, Box 39, Folder, 11, 1978 2 See John McDowell, Mind and World, Harvard University Press, 1996 2 See Hannah Ginsborg, “Was Kant a Nonconceptualist?” ? Philos Stud. 137, 2008, pp.65-77 4 A99-100 5 See. A89-91 /B122-123, Bl45 6 Robert Hanna, Kant and the Foundations of Analytic Philosophy, Clarendon Press, Oxford, 2001, p.52 7 Immanuel Kant, Critique of the Power ofJudgement, Trans. Paul Guyer & Eric Matthews, Cambridge University Press, New York, 2007, 5:209 Concerning the conceptual and non-conceptual contents, the crucial point is the threefold synthesis, especially the synthesis of apprehension that aims directly empirical and pure intuitions4 in the first edition of the CPR, and which is revisited in the introduction of the third Critique. Kant stresses in several sentences that intuitions and thoughts are different and they cannot hold each other’s place.5 Since sensibility and understanding need to be separate in transcendental philosophy, there is the need to combine them with a third faculty which is the faculty of imagination. Although I am not in analytic tradition, I agree with Robert Hanna who takes the first edition of the Critique and indicates that imagination as the third faculty can both serve to the sensibility and the understanding6 by the threefold synthesis, and there is non-conceptual content in imagination’s relation to sensibility. As indicated above, the claim that there is non-conceptual content in the synthesis of imagination finds its supports in the third Critique. Besides the synthesis of apprehension, this claim becomes obvious in the free play between the imagination and the understanding that occurs without submitting to any concepts. Kant clearly indicates that the feeling of beautiful does not come from a concept nor it aims at one.7 And this is the reason why aesthetic feelings are always subjective, and thus we do not have any rules for aesthetic appreciation.
Open Access
Futurist approach to the cinema: the investigation of the movie named "Minority Report"
(Istanbul Kultur Univ, Atakoy Campus, Bakirkoy, Istanbul, 34156, Turkey, 2016-04) Boyar, Nihan
The future phenomenon that the societies see as an expectation is related with the existing power of all the things that are new. Fundamentally, the realization of every new thing could also represent the promise for those to be carried out in the future. On the other hand, the technological gadgets produced nowadays have been adopted by the society and become the necessities of our life styles. Therefore, this increases the desire of the masses for new. As in other fields of art, the concept of futurism, which has idealized the futurism, technology, and every kind of scientific developments, has also emerged in cinema. When considered from this point of view, the fictional technologies created in the movies has been converting into the gadgets that we employ today, and this situation has a great importance in terms of variations in scientific and cultural fields. Thus, in this study, in our age, the reality and usability dimensions of utopian means created as fictional products have been analyzed on the basis of the movie named "Minority Report".
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Google's localization strategy in marketing communication techniques by using Doodle: Doodle examples in Turkey
(2019-12) Koçak, Sevinç; 47434
Markalar küreselleşen pazar koşulları ve değişen tüketici profilleri nedeniyle pazarlama iletişimi çalışmalarını gerçekleştirirken hem küresel hem de yerel davranarak konumlanma stratejisi benimseme eğiliminde devam etmektedirler. Küresel olan bir marka farklı ülkelerde faaliyet gösterirken ürün gamı veya hizmetinde yerelleşemediği takdirde, pazarlama iletişiminde yerelleşmeye çalışmaktadır. Hem küresel hem de yerel olma eğilimindeki söz konusu markaların (Glokal markaların) içerisinde tüm dünyada teknoloji alanında tanınan en önemli marka olan Google, pazarlama iletişimi stratejisinde Doodle uygulaması ile hem küresel mesajlar hem de yerelleşen bir imaj çizme yönünde çok önemli örnekler sergilemektedir. Bu çalışmada Google’ın Doodle uygulamaları ile küresel ve lokal tüketicilerine erişirken kullandığı teknikleri Türkiye örnekleri üzerinden İncelenmekte, sınıflanmakta ve açıklanmaktadır. Ayrıca, küresel markaların yerel tüketiciler üzerinde hem standardizasyona hem de lokalizasyona duyarlı olarak geliştirdikleri karma pazarlama çalışmalarının önemi vurgulanmaktadır. Söz konusu Doodle Türkiye örnekleriyle bağlantılı olarak Google’m vadettiği yeni iletişim yaklaşımı ve evrensel değerlere yönelik vurgulan da İncelenmektedir.
Open Access
Illustration and photographic invasion: Lucas Levitan
(Istanbul Kultur Univ, Atakoy Campus, Bakirkoy, Istanbul, 34156, Turkey, 2016-04) Atabek, Aslıhan
With transformation process from classical or mass media to new media, similar movements like graffiti, which was firstly occurred as a social reaction and became an art branch, have been seen in the digital media. A movement in digital media has started by Lucas Levitan by illustrating on digital images similar to graffiti based on wall painting in the real media. In these movement called by Levitan as photographic invasion, pictures in digital media having copyrights are subjected to invasion, and pictures are deformed. The work which has been started by Levitan as instagram project is a good sample for examining illustration and manipulation issues in new media. For this reason illustration concept was examined in perspective of Levitan and photographic invasion. According to results of the study, photographic invasion is similar with graffiti which is a branch of art occurred a reaction of art to the right of property. In photographic invasion, illustrations on pictures without any permission for copyright, whereas in the graffiti compositions are installed on other's right of property without permission. In this respect, photographic invasion is a candidate for literature, and the first argument of this was given in this research.

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