Publication: Representing the Sublime in Capitalism: The Aesthetics of Andreas Gursky’s Photography
dc.contributor | Sanat ve Tasarım Fakültesi / Faculty of Art and Design İletişim Sanatları / Communication Arts | tr_TR |
dc.contributor.author | Akova, Duygu Nazlı | |
dc.contributor.authorID | 107425 | tr_TR |
dc.date.accessioned | 2018-11-02T11:52:34Z | |
dc.date.available | 2018-11-02T11:52:34Z | |
dc.date.issued | 2017-06-14 | |
dc.identifier.uri | https://hdl.handle.net/11413/3096 | |
dc.language.iso | en_US | tr_TR |
dc.publisher | Pantheon – Sorbonne University, Dept. Arts Plastiques et Sciences de l’Art, Paris, France | tr_TR |
dc.relation | 12th International Conference on the Arts in Society | tr_TR |
dc.subject | Contemporary Art | tr_TR |
dc.subject | Photography | tr_TR |
dc.subject | Sublime | tr_TR |
dc.subject | Capitalism | tr_TR |
dc.subject | Andreas Gursky | tr_TR |
dc.title | Representing the Sublime in Capitalism: The Aesthetics of Andreas Gursky’s Photography | tr_TR |
dc.type | conferenceObject | tr_TR |
dspace.entity.type | Publication |
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